The principle seems absurdly simple and obvious. It's much the same as telling someone, "Talk so the person in front of you can understand what you're saying." It's like saying, "Don't talk rocket science to your six-year-old." Do we need a course in that? Doesn't seem like it. But, in fact, lack of audience analysis and adaptation is one of the root causes of most of the problems you find in professional, technical documents--particularly instructions where it surfaces most glaringly.
Note: Once you've read this section on audiences, try using the audience planner. You fill in blanks with answers to questions about your audience and then e-mail it to yourself and, optionally, to your instructor. Use the audience planner for any writing project as a way of getting yourself to think about your audience in detail.
More than one audience. You're likely to find that your report is for more than one audience. For example, it may be seen by technical people (experts and technicians) and administrative people (executives). What to do? You can either write all the sections so that all the audiences of your document can understand them (good luck!). Or you can write each section strictly for the audience that would be interested in it, then use headings and section introductions to alert your audience about where to go and what to stay out of in your report.
Wide variability in an audience. You may realize that, although you have an audience that fits into only one category, there is a wide variability in its background. This is a tough one--if you write to the lowest common denominator of reader, you're likely to end up with a cumbersome, tedious book-like thing that will turn off the majority of readers. But if you don't write to that lowest level, you lose that segment of your readers. What to do? Most writers go for the majority of readers and sacrifice that minority that needs more help. Others put the supplemental information in appendixes or insert cross-references to beginners' books.
The business of writing to your audience may have a lot to do with in-born talent, intuition, and even mystery. But there are some controls you can use to have a better chance to connect with your readers. The following "controls" have mostly to do with making technical information more understandable for nonspecialist audiences:
Check to see whether certain key information is missing--for example, a critical series of steps from a set of instructions; important background that helps beginners understand the main discussion; definition of key terms. (See the section on ideas on content for details.)
Unnecessary information can also confuse and frustrate readers--after all, it's there so they feel obligated to read it. For example, you can probably chop theoretical discussion from basic instructions.
You may have the right information but it may be "pitched" at too high or too low a technical level. It may be pitched at the wrong kind of audience--for example, at an expert audience rather than a technician audience. This happens most often when product-design notes are passed off as instructions.
Examples are one of the most powerful ways to connect with audiences, particularly in instructions. Even in noninstructional text, for example, when you are trying to explain a technical concept, examples are a major help--analogies in particular.
You may be using examples but the technical content or level may not be appropriate to your readers. Homespun examples may not be useful to experts; highly technical ones may totally miss your nonspecialist readers.
Sometimes, you can have all the right information but arrange it in the wrong way. For example, there can be too much background information up front (or too little) such that certain readers get lost. Sometimes, background information needs to woven into the main information--for example, in instructions it's sometimes better to feed in chunks of background at the points where they are immediately needed. (See the sections on structure and organization of information in a report.)
It may be difficult for readers, particularly nonspecialists, to see the connections between the main sections of your report, between individual paragraphs, and sometimes even between individual sentences. You can make these connections much clearer by adding transition words and by echoing key words more accurately. Words like "therefore," "for example," "however" are transition words--they indicate the logic connecting the previous thought to the upcoming thought. You can also strengthen transitions by carefully echoing the same key words. In technical prose, it's not a good idea to vary word choice-use the same words so that people don't get any more confused than they may already be. (See the section on transitions.)
People seem to read with more confidence and understanding when they have the "big picture"--a view of what's coming, and how it relates to what they've just read. Therefore, make sure you have a strong introduction to the entire document--one that makes clear the topic, purpose, audience, and contents of that document. And for each major section within your document, use mini-introductions that indicate at least the topic of the section and give an overview of the subtopics to be covered in that section. (See the section on introductions both for whole reports and for sections within reports.)
It can help readers immensely to give them an idea of the topic and purpose of a section (a group of paragraphs) and in particular to give them an overview of the subtopics about to be covered. Roadmaps help when you're in a different state! (See the section on using overviews and topic sentences.)
How you write--down at the individual sentence level--can make a big difference too. In instructions, for example, using imperative voice and "you" phrasing is vastly more understandable than the passive voice or third-personal phrasing. For some reason, personalizing your writing style and making it more relaxed and informal can make it more accessible and understandable. Passive, person-less writing is harder to read--put people and action in your writing. Similarly, go for active verbs as opposed to be verb phrasing. All of this makes your writing more direct and immediate--readers don't have to dig for it. (See the section on common sentence-style problems for details.)
And obviously, sentence length matters as well. An average of somewhere between 15 and 25 words per sentence is about right; sentences over 30 words are to be mistrusted.
This is closely related to the previous "control" but deserves its own spot. Often, writing style can be so wordy that it is hard or frustrating to read. When you revise your rough drafts, put them on a diet-go through a draft line by line trying to reduce the overall word, page or line count by 20 percent. Try it as an experiment and see how you do. You'll find a lot of fussy, unnecessary detail and inflated phrasing you can chop out. (See the section on common sentence-style and clarity problems for details.)
For nonspecialist audiences, you may want to use more graphics--and simpler ones at that. Writing for specialists and experts tends to be less illustrated, less graphically attractive--even boring to the eye! Graphics for specialists tend to be more detailed, more technical. In technical documents for nonspecialists, there also tend to be more "decorative" graphics--ones that serve no strict informative or persuasive purpose at all. (See the section on graphics for details.)
For nonspecialist readers, you may need to have shorter paragraphs. Notice how much longer paragraphs are in technical documents written for specialists. (Maybe a 6- to 8-line paragraph is the dividing line.)
In technical information, you can help nonspecialist readers by pointing them to background sources. If you can't fully explain a topic on the spot, point to a book or article where it is. (See the section on cross-references for details.)
Readers can be intimidated by big dense paragraphs of writing, uncut by anything other than a blank line now and then. Search your rough drafts for ways to incorporate headings--look for changes in topic or subtopic. Search your writing for listings of things--these can be made into vertical lists. Look for paired listings such as terms and their definitions--these can be made into two-column lists. Of course, be careful not to force this special formatting--don't overdo it. (See the sections on headings and lists for details.)
These are the kinds of "controls" that professional technical writers use to finetune their work and make it as readily understandable as possible. And in contrast, it's the accumulation of lots of problems in these areas--even seemingly minor ones--that add up to a document being difficult to read and understand. Nonprofessionals often question why professional writers and editors insist on bothering with such seemingly picky, trivial, petty details in writing--but they all add up! It reminds me of some Chinese saying about "death by a thousand cuts."
Return to the table of contents for the TCM1603 Course Guide (the online textbook for Austin Community College's online technical writing course).